The image of Bobby Brown as New Edition’s resident bad boy had been bubbling during the group’s early years, with management barely managing to contain it. Brown blew his top, throwing his microphone at Bivins, and was subsequently kicked out of the group. It all came to a head during a show in 1985, when one of his solos was shortened. In return, his fellow band members (Michael Bivins, Ricky Bell, Ronnie DeVoe and Ralph Tresvant) slowly began sidelining Brown and reducing his role. He became unreliable - sometimes missing performances - and started smoking marijuana heavily. “I was tired of the teeny-bop thing,” Brown tells The Post of his rebellion. Telephone Man.” But Brown gradually began to fancy himself a solo artist, adding a more sexualized element to his performance - one that was at odds with New Edition’s boys-next-door image. But when Bobby Brown hit his difficult phase in the mid-1980s, there was the added complication of his prominent role in the soul boy band New Edition.Īs depicted in the new BET biopic “The New Edition Story” (airing on three successive nights, starting January 24 at 9 p.m.), the R&B five-piece emerged from the streets of Boston to score a run of huge hits through the first half of the decade, including “Candy Girl,” “Cool it Now” and “Mr. Rebellion comes naturally to most 16-year-old boys. Bobby Brown performing on “Saturday Night Live” in 1992.
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